Experience the NAFSA 2016 Expo Soundstage
Experience the NAFSA 2016 Expo Soundstage
The Expo Soundstage at the NAFSA Annual Conference and Expo is difficult to miss.
A year ago's inaugural Soundstage commenced with the blasting hints of ShinDaiko's customary Japanese drumming. The experience proceeded during the time with Boston artists serenading the crowd with Irish people tunes; Johnson and Wales University facilitating an enthusiastic round of "SharkFest," a Shark Tank®-style occasion for worldwide teachers; and a captivating investigation of some Boston history with the city's Archeological Department.
This year, the NAFSA Soundstage has expanded in both degree and volume. With more 30 presentations booked through the span of the week, the Soundstage will convey an assortment of fascinating and drawing in programming, from a progression of short movies made by worldwide understudies and experts to a showing of a cloud-based English dialect evaluation framework.
The NAFSA Soundstage is the main gathering venue where you can watch consecutive social exhibitions by Hawaiian and Maori artists before taking a seat to find out about patterns in enlistment among global baccalaureate understudies. Get up to speed on the greatest progressions leaving Welsh scholarly establishments. Figure out how a start-up is utilizing research organizations and exploration to fabricate better innovation to enhance instruction abroad encounters.
The Expo Soundstage is NAFSA's most current stage for highlighting the energizing developments and headways being made by foundations, organizations, and associations in the field of worldwide instruction. It's one of the numerous ways that the NAFSA Annual Conference and Expo attempts to give master content and new bits of knowledge for individuals and gathering participants.
Try not to miss your opportunity to encounter the must-go to programming at the Expo Soundstage this year. View the full soundstage plan on the NAFSA site and add some advancement and stimulation to your gathering plan.
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